Kokuho: Japan's Record-Breaking Kabuki Drama Heading to the Oscars
Lee Sang-il’s film "Kokuho" has exceeded expectations by becoming Japan’s highest-grossing domestic live-action movie. The nearly three-hour period drama, centered around the world of traditional kabuki theater, has earned over ¥17.37 billion since its release in June, surpassing the previous record held by "Bayside Shakedown 2." With more than 12 million admissions, the film has garnered critical acclaim and momentum, leading to its selection as Japan’s official submission for the 2026 Oscars in the best international feature category.
"Kokuho," meaning "national treasure," follows the intertwined lives of two kabuki actors over five decades, exploring themes of friendship, obsession, and rivalry. Director Lee Sang-il, known for his previous works like "Villain" and "Rage," has crafted a visually stunning and emotionally resonant narrative that delves into the complexities of ambition and sacrifice within the world of kabuki theater.
Critics have praised the film for its visual beauty, immersive storytelling, and the exceptional performances of its lead actors, Ryo Yoshizawa and Ryusei Yokohama. Despite its lengthy runtime and niche subject matter, "Kokuho" has resonated with audiences, showcasing the enduring appeal of high-quality storytelling and uniquely Japanese content in the film industry.
The success of "Kokuho" has not only impacted the box office but has also revitalized interest in traditional kabuki theater in Japan. The film’s popularity has led to increased attendance at kabuki houses, attracting a younger audience and rekindling interest among both new and returning patrons.
Following its North American debut at the Toronto International Film Festival, "Kokuho" is set for a wider release in the U.S. in early 2026. The film’s journey from Cannes to the Oscars and its impact on both the box office and cultural landscape highlight its significance as a cinematic achievement that transcends borders and resonates with audiences worldwide.