Exploring the Controversial Figure of Roald Dahl: A Review of "Giant" at the Music Box
In 1939, a comedy play titled "The Man Who Came to Dinner" premiered on Broadway, featuring the character Sheridan Whiteside portrayed by Monty Woolley. The play closed in 1941 when a film adaptation was released with Woolley reprising his role and Bette Davis joining the cast. Fast forward to the present day, John Lithgow takes on the role of the acerbic writer Roald Dahl in Mark Rosenblatt's play "Giant," which recently opened at the Music Box after a successful run on the West End. Unlike its predecessor, "Giant" is not a screwball comedy but still manages to deliver sharp humor, especially through Lithgow's performance as Dahl.
The play delves into the controversial figure of Roald Dahl, known for his acclaimed children's books but also for his antisemitic views. Set in 1983, the play explores Dahl's stance following Israel's attack on Lebanon and his critical review of a book depicting the Israeli army's actions in Beirut. Dahl's publisher sends a sales director to England to persuade him to issue an apology, leading to a clash of ideologies and personalities.
In "Giant," Dahl's home is invaded by the persistent American sales director Jessie Stone, played by Aya Cash, who tries to navigate the writer's stubbornness and controversial opinions. The play expands on the character dynamics, introducing loyal but put-upon figures like the cook, gardener, publisher, and fiancée, each grappling with Dahl's strong personality and problematic views. As tensions rise, the play explores the complexities of loyalty, prejudice, and the clash of ideals.
Rosenblatt's script cleverly weaves humor and drama, with Lithgow's portrayal of Dahl capturing both his wit and darker aspects. The play confronts Dahl's bigotry and the impact of his words on those around him, highlighting the enablers and challengers in his inner circle. As the narrative unfolds, the characters navigate personal and professional dilemmas, revealing the intricacies of relationships and the consequences of standing up to a formidable figure like Dahl.
Despite the play's engaging premise and strong performances, some elements feel drawn out, leading to a lack of momentum in the narrative. The conflict between Dahl and Stone drives the plot forward, but the repetitive interactions between them can feel stagnant at times. While the play raises important questions about art, prejudice, and morality, it falls short of delving deeper into these themes, leaving some aspects unexplored.
In conclusion, "Giant" offers a compelling exploration of Roald Dahl's complex persona and the challenges of confronting bigotry in the face of genius. With John Lithgow's standout performance and a thought-provoking premise, the play invites audiences to reflect on the intersection of talent, ethics, and personal beliefs. Despite its occasional pacing issues, "Giant" delivers a captivating theatrical experience that sparks conversation and introspection.