Diversity in Dance: A Review of Complexions Contemporary Ballet's Performance at Des Moines Performing Arts
Complexions Contemporary Ballet recently performed at Des Moines Performing Arts as part of the 2025-2026 Dance Series. The show featured a diverse group of dancers and a mix of music styles, showcasing the power of diversity in dance. The evening began with Beethoven Concerto, choreographed by Dwight Rhoden, the co-founding artistic director of the company. The performance started with some technical issues but progressed to highlight the dancers' athleticism and skill.
The second piece, Deeply, set to Arvo Pärt’s Spiegel im Spiegel, explored themes of longing and angst through intimate choreography. The trio of dancers conveyed raw emotion and connection, creating a captivating performance. Gone, the third piece, featured stark and angular choreography set to Odetta Holmes’ “Another Man Done Gone,” emphasizing anonymity and stripping the movement bare.
The program continued with “Ave Maria,” a romantic and surreal piece choreographed to a unique blend of baroque music and synth pop. The dancers demonstrated remarkable control and skill, captivating the audience with their performance. The first half of the show concluded with Mercy, a dramatic piece set in an ancient temple, featuring suspenseful music and bold choreography.
After intermission, the audience enjoyed For Crying Out Loud, a balletic tribute to the rock band U2. The choreography showcased various pairings and ensembles, with the emotional range evolving throughout the performance. The show ended on a somewhat abrupt note, leaving the audience wanting more after a night of extraordinary dance performances.
In conclusion, Complexions Contemporary Ballet delivered a diverse and captivating performance that celebrated the artistry and skill of its dancers. The evening showcased the company's ability to convey a range of emotions and themes through dynamic choreography and powerful performances, leaving a lasting impression on the audience.